D A T A S C U L P T U R E © 雕塑 資料
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.... Harvesting "Grains of Data" in REAL -TIME
Exploring discrete commonalities of function in self organisation, entropy & form found in artificial and “natural” structures Harvesting "Grains of Data" matrices in REAL -TIME fenestrating organicity , hysteresis, synthesis, turbulence & noise within culture in real time :
the algorithms of life
Form follows Function
© P A U L H I G H A M 2 0 0 0
Shown recently @ MOCA MUSEUM SHANGHAI NOV 08
The TODAY ART MUSEUM BEIJING 0CT 08
2009 MASS MoCA Massachusetts Museum of Contemporary Art
"VISIONARY DRAWING" PROJECT"
Synthesized Hog Futures, GPS, Genetic Code
SPONSORED BY THE JOAN MITCHELL FOUNDATION
SPECTRAL BACILLUS
AUTOTECTURE
....A Self–Organizing domain of "Grains of Data" matrices "Harvested" from local population
in real time: the generative model continually evolves, feeding back, mirroring & aligning under a “Social Skin”
as a form of Social Architecture.
RAPID PROTOTYPE : STL / CNC / SCALE CONSTRUCTION /performance/ WEB / SONIFICATION
DATA SCULPTURE
▼ Intersculpt , Marie du Vie ,Paris Town Hall ,French Senate,
1 9 9 9
AUTOTECTURE
INTERACTIVE SELF- ORGANISING WORKS / GOLDENGATE GEODESIC GPS SUITE
RODEO GALLERY / HEADLANDS CENTER FOR THE ARTS ,CA ,SAUSALITO : JUNE 21 2006
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M I C R O D I S N E Y S E R I E S : N Y C / UTILITY TRAJECTORY HUB
© Synthetic Datasculpture Series
mri beating dogs heart synthesized in real time / mined data + noise
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1996 Review
THE SHAPE OF POVERTY
Mined Data & Neural Gas Algorithm Mar 4th 07 sold at Auction at Christies NYC
SHOWN @ SMACK MELLON GALLERY nyc
06 SCULPTURE et MATHEMATIQUES Expo , Paris , France
BAYESIAN DIPOLE SEQUENCER / FLUTED HOG FUTURES
Histoire Sculpture Digitale by ARS MATHEMATICA
DATA SCULPTURE
Exploring discrete commonalities of function in self organisation, entropy & form found in artificial and “natural” structures Harvesting "Grains of Data" matrices in REAL -TIME fenestrating organicity , hysteresis, synthesis, turbulence & noise within culture in real time : the algorithms of life,
P A U L H I G H A M 2 0 0 0
Form follows Function D A T A S C U L P T U R E
DATA SCULPTURE
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